Lifetime Achievement in Dance:
George Faison
For a life devoted to the splendors of dance’s impact on the world, Faison exploded from the ranks of the Alvin Ailey American Dance Theatre, electrified audiences with his ballet “Suite Otis”, and sailed over to Broadway where he was the first Black male to be awarded a Tony for “Best Choreography” for The Wiz. A beloved dance community ringmaster, Faison scaled his life beyond his own successes to help mentor a new generation, honor his elders, and uplift forgotten dance heroes while simultaneously throwing epic mix parties. After triumphing as a dancer, choreographer, director, producer, educator and human impresario, Faison took one more momentous step opening The Faison Firehouse Theater in Harlem: a full-service theater, research and education community center, designed to give back and uplift the many who lacked access to an ecosystem of professional dance and theater facilities. A pillar of the dance community, Faison gave form to a community’s dreams.
Outstanding Service to the Field of Dance:
DanceAfrica
In addressing the political movements of the 1960’s and building on the growth of Black Dance throughout the 1970’s and 1980’s, the celebration DanceAfrica consistently showcases, nurtures, and augments a public understanding of the many traditional and indigenous dances of Africa and the African Diaspora. With the early implementation of the African styled Bazaar that surrounds the performance venue, DanceAfrica has become as much of a New York City cultural event as it is a series of performances. Thus, in fostering an ongoing relationship with the Bedford Stuyvesant Restoration Corporation’s Youth Arts Academy, DanceAfrica has ensured that subsequent generations within the community will benefit from the foundations set forth by its founder, the late Baba Chuck Davis, and current artistic director, Abdel R. Salaam. As such, it remains the nation’s largest festival of African Dance.
Outstanding Production:
Ayodele Casel
Ayodele Casel: Chasing Magic
The Joyce Theater
For a brilliant, tuneful invention aligning music, performers, lighting, and filming. For reminding us and revitalizing the power of connections between rhythm, music, song, and people. For truly creating magic with, and beyond, virtuosity.
Indigenous Enterprise
Indigenous Enterprise: Powwow Style
The Joyce Theater
With stunning views of both suburban and urban landscapes, “Indigenous Enterprise: Powwow Style” brings to life a dynamic range of traditional American dances from various tribes. For reminding us that powwows are essential for gathering, sharing, celebrating and preserving the rich heritage of Native American People. For presenting the authenticity of each style, offering insight into the original connection that exists between humanity and nature’s elements, and for speaking boldly to the pure necessity of the arts beyond entertainment.
Israel Galván
Maestro de Barra
The Joyce Theater
Filmed in his neighborhood Spanish bar, Galván masterfully syncopates flamenco rhythms against everyday sounds of fish searing in a pan, soccer games blaring, or tables being set. In this “tongue in cheek” piece, traditional flamenco is wittily flipped on its heels in a deliciously engaging production that laces ballet and modern dance into Andalusian traditions. Galván’s “Maestro de Barra” is an exhilaratingly joyous piece that bets on hope for the future of dance and humanity.
Saul Williams, Bill T. Jones, Maria Bauman, Kayla Farrish, Marjani Forté-Saunders, d. Sabela grimes, Jasmine Hearn, and Shamel Pitts
The Motherboard Suite
New York Live Arts
“The Motherboard Suite” is a dynamic collaboration of musicians and choreographers who use their embodied artistry to activate the space in this transformative work. In this creative exploration, time, space, and personal stories are interrogated through multiple lenses, including technology – ancient and contemporary, race and othering, exploitation and activism. The spoken word and the embodiment of text are the conjurers of the then, now and next iterations of who we become.
Outstanding “Breakout” Choreographer:
Hope Boykin
An immensely multi-talented and multifaceted dancer, choreographer, and educator, Boykin is more than a force of nature. Boykin is a writer who infuses text in her work. In a particular piece, she had singers and dancers together; voices and movement together to create many dimensions. She is a force to be reckoned with in terms of her accomplishments and accolades in the world of dance and theater.
Outstanding Revived Work:
State of Darkness
By Molissa Fenley
The Joyce Theater
For a searing interrogation of The Rite of Spring, Fenley’s “State of Darkness” excavates the legendary score’s surging rhythms and chilling pockets of dissonance through the expansively economic interpretations of her original solo by seven supremely gifted dance artists.
Outstanding Performer:
Annique Roberts
Sustained Achievement with Ronald K. Brown/EVIDENCE
Roberts is an absolute force in our dance community. Her years of true grit and rigor with Ronald K. Brown/Evidence is profound. She has helped shape the form of the company while also maintaining the mission and philosophy of the group through superb guidance and leadership. She is an astounding performer, one who not only conveys the steps, but embodies every ounce of the work’s philosophy. The work doesn’t define her, but she has defined the work through connection, steadfast rigor, and clear work ethic. Roberts is celebrated for the dignity brought to the work, but also the ability to explore, teach, and share this work in communities throughout the world.
LaTasha Barnes
Sustained Achievement
Barnes is celebrated globally for her musicality, athleticism and joyful presence. “Your Favorite Dancer’s Favorite Dancer;” this is how Barnes is referred to within the dance community. With a performance history that includes Caleb Teicher & Company, Dorrance Dance, Ephrat Asherie Dance, Ladies of Hip-Hop, Passion Fruit Dance Company, and numerous wins in Lindy Hop, house dance, and hip-hop battles, Barnes is as popular as she is versatile. She is an amazing dancer telling a beautiful and captivating story.
Jasmine Hearn
The Motherboard Suite, Order of Time
New York Live Arts
While each choreographer is invited to explore “the intersection of technology and race, exploitation and mystical anarchy, where hackers are artists and activists,” Hearn takes the investigation to another realm. Hearn’s performance throughout the work is both ethereal and grounded, skillfully capturing the viewer in the juxtaposition of effort and ease, comfort and discomfort in the discovery of a dynamic sweet spot – somewhere along the journey. In “The Motherboard Suite”, Hearn brings multi-dimensional artistic tools to bear, including a choreographic practice based on an interdisciplinary approach to multiple dance forms, the use of embodied and verbal language, and being a receptive thought-partner and collaborator.
d. Sabela grimes
The Motherboard Suite, We get what you deserve
New York Live Arts
In “The Motherboard Suite”, grimes brings the Africanist presence into the performance space. Upon entering the performance conversation, grimes invokes Africanist ancestral synergy that becomes the vessel (and activist) at the crossroads that interrupts and transmutes the dire premonitions repeated in William’s haunting poetic verse. grimes’ every movement is a declaration of power and agency that reverberates with resistance and liberation. Their skillful use of a fusion of contemporary and traditional African-derived dance forms reunites Orishas from across the oceans and centuries via the brilliant technology of the human body and spirit.
Outstanding Visual Design:
Fritzlyn Hector (Director), Catalin Stelian (Director of Photography, Cinematography, Editor), Kofi Assane Opare (Cinematography), and Kweku Amantey Opare (Editor)
Steel Standing by Fritzlyn Hector
DanceAfrica 2021
Brooklyn Academy of Music
On a stark palette of grey and white warehouses and heavy machinery, come vivid splashes of red costumes, hair, and warehouse piping. The bold color is significant to the daring of the dancers and knowledge of their fierceness. Flames are sparked not only in front of the camera, but in the heart of the viewer. The superb videography captures all the heat of the work. It is impossible not to feel the burn.
Outstanding Sound Design:
Pedro León and Manu Prieto
For Maestro de Barra by Israel Galván
The Joyce Theater
This work is a meticulous percussion of foot and hand, tapas plate and fork, pinball machine and bathroom door. Leon and Prieto marry the music of the ballet barre with shoe taps in a tapas bar. There is brilliant invention in singing a menu and a soccer loss as dance music. With the shoosh of a searing grill and precise sharpness of a knife on a cutting board, they serve up delectable audible courses, a true feast for the ears.